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CRITIQUES & INTERVIEWS
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Voices about her art
International critics, curators and writers have explored the depth, symbolism and distinctive visual language of Miriam Jaskierowicz Arman’s work.
Through critiques, interviews and reflections, these voices reveal the recurring themes of memory, light, spirituality, material and the human experience that shape her artistic journey.
ART CRITIQUE
Elisabetta Marcianò
2023 | Reggio Calabria, Italy
Miriam Jaskierowicz Arman’s pictorial research embraces expressiveness without fearing irregularity. Color becomes an essential and indispensable element, while a complex web of symbols conveys a mystical dimension closely connected to the artist’s inner world.
Her confident and deliberate strokes reveal a carefully considered artistic process inwhich nothing is accidental. Light assumes a fundamental role, emerging as an almost alternative reality even within a particularly intense color palette.
Glass, everyday objects, pastels, sculpture and free brushstrokes merge into a deeply personal visual language. Through this combination of materials and forms, Arman creates a sensorial and emotional experience in which beauty becomes synonymous with Truth.
ART CRITIQUE
Hagit Argaman
2026 | Jerusalem, Israel
In her reflection on Miriam Jaskierowicz Arman’s Jerusalem exhibition, Hagit Argaman presents the artist’s work as a meeting point of memory, tradition and the human soul. She highlights Miriam’s lifelong exploration of voice, spirit, Jewish identity and visual language, noting how personal history and collective memory become inseparable within the work.
Argaman emphasizes Miriam’s recurring focus on faces, eyes, color and layered materials, describing an artistic world shaped by emotion, remembrance and spiritual depth. Through painting, poetry and glass, she writes, Miriam invites the viewer into a journey of contemplation, testimony and hope.
PRESS & CULTURAL JOURNALISM
Gabriella Lax
2026 | Reggio Calabria, Italy
In her article on Miriam Jaskierowicz Arman’s exhibition at the Ipogeo di Piazza Italia in Reggio Calabria, Gabriella Lax presents the artist as a cosmopolitan creative voice whose work brings together memory, identity and personal history. She highlights the strong relationship between Miriam’s art and the ancient setting of the Ipogeo, where layers of stone, history and time echo the emotional and visual layers found in her paintings.
Lax also emphasizes the deeply personal dimension of Miriam’s work, shaped by the memory of the Shoah, her Jewish heritage and a life lived across different countries and cultures. Through faces, color, glass and layered materials, Miriam transforms pain, remembrance and spiritual experience into a visual language that connects her inner world with a broader human story.
INTERNATIONAL CRITICS SPEAK
Discover selected critical writings and reflections on Miriam’s work by international writers, critics and cultural figures across different periods of her artistic career.
A Distinctive and Individual Artistic Language Genia Bukobza Curator
Yad Shitrit Cultural Center | Tiberias | 2014
In her review of Soul Reflections, curator Genia Bukobza highlights the intensity, emotion and rich color of Miriam’s work, as well as her distinctive combination of Three-Dimensional Glass Fusion, pastel, mixed media, collage and sculpture.While acknowledging echoes of great modern masters, she emphasizes that Miriam’s artistic language remains deeply personal and unmistakably individual.
CURATORIAL REVIEW
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Miriam Jaskierowicz Arman
Jerusalem Theatre | Jerusalem of Gold | September 28 | 2026
For Miriam, visual art and voice originate in the same inner source. In this artist talk, she reflects on the “inner voice” that instructs, guides and pushes her creative process, transforming memory, emotion and human experience into color, material and form. Art, she explains, becomes the place where tears may become joy, war may become peace, and the experiences of a lifetime are reshaped into a visual language.
LISTENING AND CONNECTING TO YOUR INNER VOICE
Art Beyond Borders | Nancy Quartin Rosen
Executive Director
Florida/Israel Institute
INTERNATIONAL PERSPECTIVE
Nancy Quartin Rosen places Miriam’s work within an international artistic landscape, tracing a journey through cities including Kyiv, Budapest, Turin, Milan, Mexico City, Haifa, New York and Daytona Beach.She emphasizes the multidimensional quality created by Miriam’s use of glass, together with painting, drawing, collage, bas-relief and sculpture. Glass Fusion emerges as a signature technique, bringing depth, texture, luminosity and changing perspectives to the work.